Just the One Typeface

My emotional attachment to my old baby-blue Smith-Corona portable sums it all up.  Nostalgia means yearning for home.  So, this can’t be nostalgic because our yearnings then were all in the opposite direction—the road, escape adrenalin.  The rooms we occupied!  Man, I could type back then, the hands working fast as the brain. Paper was always the problem, wasn’t it, old buddy?  You never complained of the cold.  I never had to plug you in or clear your memory.  All-in-one keyboard and printer, you never once questioned me.  I did drop you down that metal stairway to the loft, but you bounced and forgave me (except for the carriage-return bell).  You did not like carbon paper sets.  Who could afford xerox?    I left you in that Harlem pawnshop, headed west.  I meant to return.  Just hoping you are safe in a museum someplace.

2 thoughts on “Just the One Typeface

  1. The medium is the message (an insight from that era, about the time I went west). This electronic stuff is all telegraph progeny, lacking the dimensions of real prose, letter prose. Surface dispatches, meant to be consumed and erased. Immediate, transitory, transactional is the message. Letters (when the ink is dry, fold it, find and lick an envelope, address and stamp) arise from a different place and sense of time, with a past and future. When old friends die, their estates send me the packets of my letters that were saved. (I never look at them.)

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