For all you serious language mechanics out there, here, from Mark Forsyth’s The Elements of Eloquence, is a reminder that, in English, adjectives go in this order:
Opinion-size-age-shape-colour-origin-material-purpose-noun. So you can have a lovely little old rectangular green French silver whittling knife. But if you mess with that word order in the slightest you’ll sound like a maniac.
And also, as a reminder that every author needs an editor, here is one page of T.S. Eliot’s original draft of “The Waste Land” as edited by Ezra Pound (1915):
I’ve never heard this rule before, yet you’re right, scrambling the adjectives makes it just…off. What’s more interesting is–why (or how) are we wired to detect the ‘proper’ order?
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Of course, this is just for English. Then there are languages like Samoan, in which the adjective follows the noun, and I have no idea what, if any, positional rules apply. And is it really a “rule” if we don’t know we are following it? I mean, driving on the right side of the road is a rule, but is breathing?
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I never knew that there was an order to adjectives! I wonder if James Joyce worried about that when he wrote Ulysses?
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